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4.380 Questões de concurso encontradas

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Página 27 de 876

Questões por página:

Concurso: D - ProPNva Nacional Docente

Concurso: D - ProPNva Nacional Docente
Cargo: Professor - Letras/Inglês
Ano: 2025

Ano:

2025

Banca:

INEP

Cargo:

Professor - Letras/Inglês

Disciplina: Inglês

Dificuldade em análise

notificar erro

Notificar erro

Motivo:

Há um erro no enunciado e/ou alternativas

A resposta no gabarito oficial é outra

A disciplina ou assunto estão incorretos

A questão foi anulada

A questão está desatualizada

Informe mais detalhes

Erro de digitação ou português

As alternativas não aparecem

As imagens não aparecem

As imagens estão ilegíveis

Outro (especifique)

Alternativa A

Alternativa B

Alternativa C

Alternativa D

Descrição

Acertou

Errou

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TEXT 1

“The Wolves are a free people, ” said Father Wolf. “They take orders from the Head of the Pack, and not from any striped cattle-killer. The man’s cub is ours — to kill if we choose.”

“Ye choose and ye do not choose! What talk is this of choosing? By the bull that I killed, am I to stand nosing into your dog’s den for my fair dues? It is I, Shere Khan, who speak!”

KIPLING, R. The Jungle Book. S.l.: Project Gutenberg,1894

TEXT 2

KIPLING, R.; CHAN, C. S. The Jungle Book.

Toronto: UDON Entertainment, s.d.

A 6th-grade English teacher is planning a lesson using an excerpt from Text 1 and Text 2. Which alternative reflects an appropriate learning goal and a corresponding classroom strategy for using these materials?

(a)

Goal: promoting reading engagement and interpretive thinking through multimodal comparison. Strategy: guiding students to compare how mood and character traits appear in both versions.

(b)

Goal: fostering reading engagement and critical thinking through translanguaging. Strategy: asking students to identify how punctuation and verb tenses change from one genre to another across texts.

(c)

Goal: exploring how verbal-visual language reproduces colonial power and social hierarchies. Strategy: providing a lecture contrasting Kipling’s ideology with postcolonial reinterpretations of his work.

(d)

Goal: developing students’ ability to memorize authentic literary expressions. Strategy: assigning lines from the literary text and the manga for memorization and repetition in pairs.

Comentários (0)

Concurso: D - ProPNva Nacional Docente

Concurso: D - ProPNva Nacional Docente
Cargo: Professor - Letras/Inglês
Ano: 2025

Ano:

2025

Banca:

INEP

Cargo:

Professor - Letras/Inglês

Disciplina: Inglês

Dificuldade em análise

notificar erro

Notificar erro

Motivo:

Há um erro no enunciado e/ou alternativas

A resposta no gabarito oficial é outra

A disciplina ou assunto estão incorretos

A questão foi anulada

A questão está desatualizada

Informe mais detalhes

Erro de digitação ou português

As alternativas não aparecem

As imagens não aparecem

As imagens estão ilegíveis

Outro (especifique)

Alternativa A

Alternativa B

Alternativa C

Alternativa D

Descrição

Acertou

Errou

adicionar questão na lista de favoritas

remover questão da lista de favoritas

mostrar texto associado esconder texto associado

TEXT 1

“The Wolves are a free people, ” said Father Wolf. “They take orders from the Head of the Pack, and not from any striped cattle-killer. The man’s cub is ours — to kill if we choose.”

“Ye choose and ye do not choose! What talk is this of choosing? By the bull that I killed, am I to stand nosing into your dog’s den for my fair dues? It is I, Shere Khan, who speak!”

KIPLING, R. The Jungle Book. S.l.: Project Gutenberg,1894

TEXT 2

KIPLING, R.; CHAN, C. S. The Jungle Book.

Toronto: UDON Entertainment, s.d.

For an activity involving The Jungle Book and its manga adaptation to work with characters’ emotions in a 6th-grade classroom, the teacher is aware that one student in the class is autistic and prefers structured, visual tasks. Which alternative supports this student’s engagement with the texts?

(a)

Instruct the student to create their own comic strip version of the scene with some graphic or planning aids.

(b)

Ask the student to read the literary text silently and answer open-ended questions about the characters’ feelings.

(c)

Encourage the student to join a group discussion about the symbolism in the tiger’s behavior and role in the story.

(d)

Provide the student with a visual chart to compare the characters’ emotions in both texts, using images and keywords.

Comentários (0)

Concurso: D - ProPNva Nacional Docente

Concurso: D - ProPNva Nacional Docente
Cargo: Professor - Letras/Inglês
Ano: 2025

Ano:

2025

Banca:

INEP

Cargo:

Professor - Letras/Inglês

Disciplina: Inglês

Dificuldade em análise

notificar erro

Notificar erro

Motivo:

Há um erro no enunciado e/ou alternativas

A resposta no gabarito oficial é outra

A disciplina ou assunto estão incorretos

A questão foi anulada

A questão está desatualizada

Informe mais detalhes

Erro de digitação ou português

As alternativas não aparecem

As imagens não aparecem

As imagens estão ilegíveis

Outro (especifique)

Alternativa A

Alternativa B

Alternativa C

Alternativa D

Descrição

Acertou

Errou

adicionar questão na lista de favoritas

remover questão da lista de favoritas

mostrar texto associado esconder texto associado

It is impossible to talk about the single story without talking about power. There is a word, an Igbo word, that I think about whenever I think about the power structures of the world, and it is nkali. It’s a noun that loosely translates to “to be greater than another.” Like our economic and political worlds, stories too are defined by the principle of nkali: How they are told, who tells them, when they’re told, how many stories are told, are really dependent on power. Power is the ability not just to tell the story of another person, but to make it the definitive story of that person.

Stories matter. Many stories matter. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanize. Stories can break the dignity of a people, but stories can also repair that broken dignity.

When we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise.

ADICHIE, C. N. The Danger of a Single Story. New York: Anchor Books,2019 (adapted).

A high school English teacher decides to foster a debate on social justice with her students based on the situation described in the text. The goal of such activity is

(a)

to fight stereotypes: analyze and breed your assumptions, prejudices and preconceived thoughts.

(b)

to advocate for diversity: spread your voice and platform to share miscellaneous stories and dare prevailing narratives.

(c)

to promote a dialogue: conversations with people from different backgrounds contesting their unique experiences and perspectives.

(d)

to research standardized sources of information: read books, watch movies and follow media outlets that share unbiased narratives and perspectives.

Comentários (0)

Concurso: D - ProPNva Nacional Docente

Concurso: D - ProPNva Nacional Docente
Cargo: Professor - Letras/Inglês
Ano: 2025

Ano:

2025

Banca:

INEP

Cargo:

Professor - Letras/Inglês

Disciplina: Inglês

Dificuldade em análise

notificar erro

Notificar erro

Motivo:

Há um erro no enunciado e/ou alternativas

A resposta no gabarito oficial é outra

A disciplina ou assunto estão incorretos

A questão foi anulada

A questão está desatualizada

Informe mais detalhes

Erro de digitação ou português

As alternativas não aparecem

As imagens não aparecem

As imagens estão ilegíveis

Outro (especifique)

Alternativa A

Alternativa B

Alternativa C

Alternativa D

Descrição

Acertou

Errou

adicionar questão na lista de favoritas

remover questão da lista de favoritas

mostrar texto associado esconder texto associado

It is impossible to talk about the single story without talking about power. There is a word, an Igbo word, that I think about whenever I think about the power structures of the world, and it is nkali. It’s a noun that loosely translates to “to be greater than another.” Like our economic and political worlds, stories too are defined by the principle of nkali: How they are told, who tells them, when they’re told, how many stories are told, are really dependent on power. Power is the ability not just to tell the story of another person, but to make it the definitive story of that person.

Stories matter. Many stories matter. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanize. Stories can break the dignity of a people, but stories can also repair that broken dignity.

When we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise.

ADICHIE, C. N. The Danger of a Single Story. New York: Anchor Books,2019 (adapted).

According to the Base Nacional Comum Curricular (BNCC), the approach to English as a Lingua Franca imposes challenges and new priorities for teaching, among which is the deepening of reflections on the relationships between language, identity and culture, and the development of intercultural competence. In order to follow the BNCC, which quote do you consider appropriate for the initial warm-up to introduce Adichie’s text and why?

(a)

“Take no one’s word for anything, including mine — but trust your experience. Know whence you came. If you know whence you came, there is really no limit to where you can go.” (James Baldwin). Because there are social limits to where people can go.

(b)

“Language is not a neutral medium that easily and freely becomes the intentional property of the speaker: on the contrary, it is inhabited and overpopulated by other people’s intentions.” (Mikhail Bakthin). Because language does not depend on people’s intentions.

(c)

“To liquidate peoples, we begin by taking away their memory. We destroy their books, their culture, their history. And someone else writes other books for them, gives them another culture and invents another history for them.” (Milan Kundera). Because it is through history that identities are preserved.

(d)

“A fully unified, complete, secure, and coherent identity is a fantasy. Instead, as systems of cultural meaning and representation multiply, we are confronted by a bewildering and shifting multiplicity of possible identities, each of which we could identify with at least temporarily.” (Stuart Hall). Because systems of cultural meaning and representations are limited.

Comentários (0)

Concurso: D - ProPNva Nacional Docente

Concurso: D - ProPNva Nacional Docente
Cargo: Professor - Letras/Inglês
Ano: 2025

Ano:

2025

Banca:

INEP

Cargo:

Professor - Letras/Inglês

Disciplina: Inglês

Dificuldade em análise

notificar erro

Notificar erro

Motivo:

Há um erro no enunciado e/ou alternativas

A resposta no gabarito oficial é outra

A disciplina ou assunto estão incorretos

A questão foi anulada

A questão está desatualizada

Informe mais detalhes

Erro de digitação ou português

As alternativas não aparecem

As imagens não aparecem

As imagens estão ilegíveis

Outro (especifique)

Alternativa A

Alternativa B

Alternativa C

Alternativa D

Descrição

Acertou

Errou

adicionar questão na lista de favoritas

remover questão da lista de favoritas

mostrar texto associado esconder texto associado

It is impossible to talk about the single story without talking about power. There is a word, an Igbo word, that I think about whenever I think about the power structures of the world, and it is nkali. It’s a noun that loosely translates to “to be greater than another.” Like our economic and political worlds, stories too are defined by the principle of nkali: How they are told, who tells them, when they’re told, how many stories are told, are really dependent on power. Power is the ability not just to tell the story of another person, but to make it the definitive story of that person.

Stories matter. Many stories matter. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanize. Stories can break the dignity of a people, but stories can also repair that broken dignity.

When we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise.

ADICHIE, C. N. The Danger of a Single Story. New York: Anchor Books,2019 (adapted).

Based on the discussion proposed by the text, which teaching objective is aligned with the principles of the Base Nacional Comum Curricular (BNCC)?

(a)

Searching for general and specific information about the relationship between the environment and consumption.

(b)

Proposing alternatives based on socio-environmental awareness and responsible consumption.

(c)

Assessing the purposes and intentions of discourses with a critical and ethical attitude.

(d)

Applying critical linguistic resources of the language with a certain autonomy.

Comentários (0)

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